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Worst Movies in Film History. Like any art form, film is a subjective medium.

What might be touching to one viewer could be eye- roll inducing to another; a CGI- heavy summer blockbuster might wow filmgoers looking for popcorn escapism while eliciting groans from ticket buyers who do not believe style is a replacement for substance. There has never been a film that all viewers unanimously agree on. The highest rated movies listed on Rotten Tomatoes have their detractors and, conversely, the lowest rated movies have their champions. Film experiences vary by our interests, our tastes, and (if we’re being totally honest) our mood at the time of viewing – making it near- impossible to place most films at a fixed point on the spectrum between bad and great cinema. However, from time to time, Hollywood spits out a movie so bad, so technically incompetent, that its failures are hard to ignore. Some of these movies go on to become, unintentionally, so- bad- they’re good, where others remain downright unwatchable. As with our annual “Worst of the Year” recaps, we only include the worst mainstream releases, rather than divisive movies that were underwhelming to certain filmgoers (we’re looking at you Transformers franchise). Our picks highlight the intolerable bores that failed to deliver on even their most basic ambitions – these are the unfunny comedies, the not- very- scary horror movies, the superficial dramas, and the snooze- inducing action flicks.

Of course, our list is not definitive. So feel free to share your own picks in the comments. NOTE: Entries are listed in chronological order – not in order of bad to worst. Reefer Madness (1.

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Premise: A cautionary tale, delivered as a lecture to parents during a school PTA meeting detailing the dangers of marijuana use, Reefer Madness follows the corruption of well- intentioned teenagers Mary, Jimmy, and Bill, who are sucked into the dangerous world of cannabis use and become increasingly addicted to reefer – until their lives are outright devastated by drug addiction. Why It’s One of the Worst: Originally titled Tell Your Children, financed by religious conservatives as anti- marijuana propaganda, the film took itself extremely seriously – until it was re- cut. Taking advantage of the movie’s poor production values, acting, and story, pro- marijuana advocates repositioned Reefer Madness as unintentionally hilarious comedy, subverting its original anti- drug message in favor of poking fun at out of touch adults. The movie was re- screened for college- age moviegoers – with proceeds helping to fund the California Marijuana Initiative (which sought to legalize cannabis in 1. Shortly after, New Line Cinema secured a copy of the movie and continued to screen Reefer Madness to cult- movie fans for years to come. Eight decades after its initial release, Reefer Madness remains one of the most- watched bad movies in film history – with plenty of unintended comedy for viewers to enjoy… for free (thanks to public domain). Plan 9 From Outer Space (1.

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Premise: Aliens target the San Fernando Valley for attack, reanimating corpses from a community cemetery – returning the undead to life as zombies and vampires. However, instead of a malevolent invasion plot, the aliens use their ghoulish soldiers to stop the creation of Solaranite (a man- made energy source that would threaten the universe). Why It’s One of the Worst: Originally titled Grave Robbers from Outer Space, directed by cult horror icon Ed Wood, Plan 9 From Outer Space was an ambitious idea – combining extraterrestrials, undead monsters, and malevolent human scientists into a single story. Unfortunately, execution of the cautionary post- WWII story failed in every way imaginable – turning Wood’s zany attempt at bridging gothic horror with nuclear age sci- fi into a convoluted mess. Conceptually, Grave Robbers from Outer Space was already a tough sell to audiences but blatant continuity problems (day/night shots within single scenes) and poor special effects made it clear that Wood’s vision had exceeded his filmmaking resources and ability. Plan 9 From Outer Space is so strange, and production on the film so bizarre, that it was the primary focus of Tim Burton’s 1.

Ed Wood, starring Johnny Depp. Manos: The Hands of Fate (1. Premise: On vacation near El Paso, Michael and Margaret, along with daughter Debbie, become lost on the road. Eventually the family stumbles upon an isolated house – maintained by a creepy groundskeeper named Torgo. However, as Michael, Margaret, and Debbie unpack, they discover that Torgo is the puppet of a malevolent cult – a malevolent cult that sacrifices severed hands to the god Manos. Why It’s One of the Worst: Famous for its undressing at the hands of Joel Hodgson in Mystery Science Theater 3. Manos: The Hands of Fate was written, produced, directed by, and starred, fertilizer salesman Harold P.

Warren as part of a bet with Route 6. Stirling Silliphant.

While conversing with Silliphant at a local diner, Warren claimed that it wasn’t difficult to make a horror movie – betting that he could successfully write, produce, direct, and star in his own horror film. Brought to the big screen by community theater actors and an amateur tech crew, Manos: The Hands of Fate was riddled with continuity errors, disconnected tangents, amateur acting, and cringe- inducing voice- over work/dubbing. Nevertheless, to his credit, Warren had a sense of humor about his failure, even stating that Manos could be the worst film ever made. Barbarella (1. 96. Premise: Based on Jean- Claude Forest’s “pornographic” (for the time) Barbarella comic series, the 1.

Doctor Durand Duran. Fearing Durand Duran’s latest invention, the Positronic Ray, will threaten our galaxy, the President of Earth sends Barbarella to the Tau Ceti region in space – to bring the villainous scientist to justice. Why It’s One of the Worst: Jean- Claude Forest’s original comic strip has become synonymous with female sexual liberation and mid- twentieth century sexual revolution. While the comic still has plenty of critics, who claim the book objectified female sexuality rather than championed female sexual liberation, director Roger Vadim’s Barbarella film distilled Forest’s comics down to a campy sci- fi tale where the heroine’s sexuality is expressed by rewarding sidekicks with sexual favors throughout the journey as well as overloading a machine that causes “death by orgasm.” Like many genre films of the time, Barbarella walked a clumsy line between imaginative production designs and limited resources (that further undercut campy story and acting). In spite of incompetent execution, Barbarella remains a cult- hit to this day – thanks to weird onscreen shenanigans as well as a few timely themes and story beats that actually resonate with modern pop- culture/social satire. Howard the Duck (1. Premise: Duckworld resident Howard the Duck, busy reading Duckgirl magazine, is launched into space – landing in Cleveland, Ohio.

Howard soon discovers that he was transported to Earth when human scientists tested a cross- dimensional transport device. Unfortunately, the heroic humanoid duck isn’t the only being pulled from another dimension during the test – as the Dark Overlord of the Universe has also arrived on Earth (and now plans to enslave humankind).

Why It’s One of the Worst: Inspired by the Marvel comic book of the same name, Howard the Duck bares little resemblance to its source material. Still, divergence from its print inspirations were the least of Howard the Duck‘s shortcomings – a film that was panned for subpar special effects, uninspired performances, and an uneven tone that vacillated between campy humor and downright crass, violent, and (worst of all) unfunny scenes.